Here is the long-awaited wrap to this article series!
Mentors & Friends in High Places
The studio took a hit with the dystopian Lucas sci-fi film “THX 1138”, but having the man behind “The Godfather” supporting you goes a long way.
Tip: Having a second set of eyes can work wonders!
Lucas convinced Rodriguez of the benefits of filming digitally
and the use of greenscreen compositing, which he took to heart with his later films, including the all-digitally composited film, “Sin City”. Rodriguez claims that the change to digital put him on the radar of James Cameron.
Genius can Recognize Genius.
James Cameron, director/producer of "Titanic & Avatar", had always wanted to do a live-action version of the 1993 Japanese animated,“ Battle Angel Alita”. Due to scheduling conflicts with the Avatar sequels, he handed the reins to Roberto Rodriguez in a joint venture with both their production companies in 2019.
and the use of greenscreen compositing, which he took to heart with his later films, including the all-digitally composited film, “Sin City”. Rodriguez claims that the change to digital put him on the radar of James Cameron.
Genius can Recognize Genius. James Cameron, director/producer of "Titanic & Avatar", had always wanted to do a live-action version of the 1993 Japanese animated,“ Battle Angel Alita”. Due to scheduling conflicts with the Avatar sequels, he handed the reins to Roberto Rodriguez in a joint venture with both their production companies in 2019.
Jon Favreau, who was working at Lucasfilm, was impressed with the filmmaker’s direction and use of CG in “Battle Angel Alita”, and hired Rodriguez to direct a few episodes of “The Mandalorian”. This led to his work as a showrunner and directing episodes of “The Book of Boba Fett”.
The lesson here is to do good work. Take the advice of your mentors. If you have success in the industry, don’t forget to network and see where it leads you.
Don’t be the Cog. Be the Machine.
Jon Favreau, who was working at Lucasfilm, was impressed with the filmmaker’s direction and use of CG in “Battle Angel Alita”, and hired Rodriguez to direct a few episodes of “The Mandalorian”. This led to his work as a showrunner and directing episodes of “The Book of Boba Fett”.
In the case of James Cameron and Roberto Rodriguez, they created
their own production companies. Cameron’s Lightstorm Entertainment was responsible for Terminator 2, The Abyss, True Lies, Strange Days, Titanic, Solaris, and the Avatar franchise. Creating a special effects company, Digital Domain has also served Cameron well.
Roberto Rodriguez’s Troublemaker Studios was responsible for the Spy Kids franchise, Once Upon a Time in Mexico, The Grindhouse series (Planet Terror & Death Proof), Predators, the Sin City franchise, and Alita: Battle Angel co-produced with Cameron’s Lightstorm Entertainment.
George Lucas created Lucasfilm Ltd. back in 1971 when creating Star Wars to control legal and financial options including copyright, sequel, and merchandising rights. Lucas also produced the Indiana Jones franchise through Lucasfilm as well. That worked out great when he decided to sell his company to Disney in 2012 for an estimated $4 billion in cash and $1.8 billion in stock.
Don’t be expendable. Be irreplaceable. Create your own destiny and produce your stuff.
sites to compete in the same league as the more established motion picture companies for movie distribution. People stayed home watching movies on their flatscreens. The genie is out of the bottle. People have not gone back to theaters the way they used to. Movie ticket sales are down 31%. $852 million tickets sold in 2023 vs $1.23 billion in 2019.
What does this mean to big-name directors, producers and actors? You can negotiate a deal directly with streaming companies and get a cut on the backend. Know your worth and don’t get sucked into the Squid Game debacle.
Remember Scarlet Johansen and Disney? She took them to
task over the movie, “Black Widow” when they decided to release the theatrical version and stream simultaneously. She was guaranteed a theatrical release first with a cut on the backend. Even though she was paid $20 million, she claimed her backend was impacted by this decision.
The payday with a backend percentage is becoming the norm for celebrities. If you are producing, you are guaranteed your money if the film is a hit. Consider Oppenheimer or Barbie as examples. Margo Robbie did very well as both a star and a co-producer for Barbie. A massive double payday made her net worth $60 million as of April 2024.
What have we learned? Here is a quick recap:
● Take the advice of your mentors.
● Regardless of your budget, do quality work.
● Be irreplaceable. Create your own destiny and produce your own stuff.
● When you achieve success, network! See where it leads you.
● Know your worth when you sign a deal.
Hopefully, you found this article useful. Did we miss anything in this article series? I would love to hear your feedback.
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Are you writing your next film/novel/comic book? Creating a strong story with great characters is 80% of the battle!
Get the must-read ebook here.
Idea Genesis is your personal idea factory, engineered to blast through writer's block and supercharge your creative output.
This book is packed with actionable strategies and industry insights, tailor-made to get your writing projects off the ground and flying.
This book is packed with actionable strategies and industry insights, tailor-made to get your writing projects off the ground and flying.